Download A Companion to Rock Art by Jo McDonald, Peter Veth PDF

By Jo McDonald, Peter Veth

This certain advisor offers an inventive and archaeological trip deep into human heritage, exploring the petroglyphic and pictographic sorts of rock paintings produced by way of the earliest people to modern peoples round the world.
-Summarizes the range of perspectives on historical rock paintings from prime overseas scholars
-Includes new discoveries and study, illustrated with over one hundred sixty pictures (including 30 colour plates) from significant rock paintings websites round the world
-Examines key paintings of famous gurus (e.g. Lewis-Williams, Conkey, Whitley and Clottes), and descriptions new instructions for rock artwork research
-Is greatly foreign in scope, determining rock paintings from North and South the United States, Australia, the Pacific, Africa, India, Siberia and Europe
-Represents new techniques within the archaeological research of rock paintings, exploring concerns that come with gender, shamanism, panorama, id, indigeneity, background and tourism, in addition to technological and methodological advances in rock paintings analyses

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66 3D Surface Rendering in Color Per Elevation Orthophotogrammetric Map Photographs taken on Feb. 14, 2011 Orthophotogrammetric Map with 5mm Contour Intervals Laetoli, Tanzania Southern End, Site G Resin Cast from the Laetoli Visitor Center Plate 30 Laetoli footprints: digital data provided by photogrammetry (poster by Tom Noble and Neffra Matthews, with permission from the Bureau of Land Management in cooperation with the Ministry of Natural Resources and Tourism, United Republic of Tanzania).

Oslo: Novus Forlag. , 1984 The Empiricist Impasse in Southern African Rock Art Studies. South African Archaeological Bulletin 39:58–66. , 2010 Conceiving God: The Cognitive Origin and Evolution of Religion. London: Thames and Hudson. , 2008 Shamanism and the Origin of States: Spirit, Power and Gender in East Asia. Walnut Creek: Left Coast Press. , 2011 Feminist Theory, Leadership, and the Spirits of the State in East Asia. Archaeologies 7(1):34–55. , 1997 Between Margin and Centre: The Archaeology of Southern African Bored Stones.

This new question redirects inquiry away from a somewhat trivialized and limiting question into a question that more genuinely accesses dimensions of cultural process, as well as challenges many foundational but deeply problematic assumptions about universal categories. As she writes: “How fitting, then, that rock art should be the stuff of scholarship that questions the very concepts of sex and gender, troubling not only this, but many other binary oppositions” (Hays-Gilpin, Chapter 12, p. 211).

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